I chose not to study theatre design at art school, so I am making up for that now.

My first set design was in 2015 for the Guild Players in Deal. I have subsequently designed many sets for a range of Canterbury and Kent theatre companies.


PRODUCTIONS


The Guild Players:

Neighbourhood Watch, An Experiment with an Air Pump, Ghost Train, Cinderella, Dick Whittington.

Theatre Royal, Margate:

Shirley Valentine 

ReShake Theatre Company:

Macbeth, Marlowe's Women, Gorboduc, Dastardly Deal.

The Canterbury Players:

Wind in the Willows, Kindertransport, Mixed Doubles, The Amorous Prince, Twelfth Night, The Hollow, The Amorous Prince (again).

Dover Youth Theatre:

The Hollow, Jingle Hell, The Gambler, The Door to Nothing, Night Watches, Pinnochio, Triptych, Pilgrim's Pathway, Our Man in Havana, The Magic Finger, A Christmas Carol, Fort Burgoyne.

The Canterbury Shakespeare Festival:

Hamlet, Magna Carta, Hades and Persephone, Much Ado About Nothing, Peter and Ignez, Much Ado About Nothing (againpanto), Love's Labour's Lost (panto), Hamlet (again), The King's Head, The Taming of the Crew (panto).

The Lindley Players:

God of Carnage (awarded 'Best Staging' by Kent Drama Association), Daisy Pulls It Off, Amadeus.


I enjoy the challenge of figuring out low budget, under resourced set designs that can easily be transported,  assembled and operated in limited spaces and quickly disposed of, yet be effective and theatrical.

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