Gareth Winters

I chose not to study theatre design at art school, so I am making up for that now.

My first set design was in 2015 for the Guild Players in Deal. I have subsequently designed many sets for a range of Canterbury and Kent theatre companies.

PRODUCTIONS

The Guild Players

Neighbourhood Watch, An Experiment with an Air Pump, Ghost Train, Cinderella, Dick Whittington.

Theatre Royal, Margate

Shirley Valentine

ReShake Theatre Company:

Macbeth, Marlowe's Women, Gorboduc, Dastardly Deal.

The Canterbury Players

Wind in the Willows, Kindertransport, Mixed Doubles, The Amorous Prince, Twelfth Night, The Hollow, The Amorous Prince (again). The Hollow, A Game of Love and Chance, Murder in the Studio

Dover Youth Theatre

The Hollow, Jingle Hell, The Gambler, The Door to Nothing, Night Watches, Pinnochio, Triptych, Pilgrim's Pathway, Our Man in Havana, The Magic Finger, A Christmas Carol, Fort Burgoyne

The Canterbury Shakespeare Festival

Hamlet, Magna Carta, Hades and Persephone, Much Ado About Nothing, Peter and Ignez, Much Ado About Nothing (again - panto), Love's Labour's Lost (panto), Hamlet (again), The King's Head, The Taming of the Crew (panto), King Lear, Titus Andronicus, The Cherry Orchard, Die Bard (panto),

The Arden Theatre

Mr. Burns

The Lindley Players

God of Carnage (awarded 'best staging' by Kent Drama Association, runner up - best set design ), Daisy Pulls It Off, Amadeus (runner up 'best set design' by Kent Drama Association)

I enjoy the challenge of figuring out low budget, under resourced set designs that can easily be transported, assembled and operated in limited spaces and quickly disposed of, yet be effective and theatrical.

To view the images, click on any one of them, then scroll...